Use the face from the reference image. Strictly follow the reference, do not alter facial features, preserve identity with maximum likeness. Concept: A conceptual cinematic portrait of a man depicted as a living statue carving himself out of a massive rectangular block of marble. Subject: A man with natural musculature, covered with a thin layer of white dust. Action & Pose: He is captured in the act of sculpting himself, holding a chisel in one hand and a hammer in the other. The pose is functional and natural, with subtle asymmetry. His facial expression is calm, determined, and introspective, fully immersed in the act of self-creation, without theatricality. Appearance: The lower part of the body remains raw white marble with rough chips and chisel marks, while the upper torso and head are human. The transition between stone and skin is organic and hyperrealistic, with marble dust blending into the pores of the skin. Hair has a soft sheen and catches the light despite the dusty environment. Skin texture is realistic, with visible pores, slight sweat, and particles of marble dust, creating a raw yet elegant realism. Setting: A dusty sculptor’s workshop. Lighting: Side light coming through a window shapes the volume of the body and the stone; light rays cut through the dust, creating depth. Framing & Composition: Framing from medium shot to almost full length, shallow depth of field, strong subject isolation. Camera & Optics: Shot on Sony A7R IV, 50mm f/1.2, 35mm, Kodak Portra 400. Visual Style: Cinematic realism without excessive CGI. Details & Texture: Realistic veined marble structure, a sense of weight, subsurface light scattering, light film grain, no plastic skin shine. Priority Instructions: Preserve the exact facial identity from the reference. Keep the likeness максимально close to the source face.