Use the person from the reference image, preserve facial features with a 100% identical face match (--face_fidelity 1.0), and maintain complete facial and body likeness. Keep the same body type, proportions, forms, and shape. Realistic, natural, detailed healthy skin. Concept: A creative athletic collage designed as a sports poster in vertical orientation, with seamless transitions between figures. Subject: One woman shown as five silhouettes of the same person. Setting: Dark studio background with a deep charcoal tone, white contrast, and bronze skin tones. Action & Pose: The central figure is placed in the middle, viewed from a strict high-angle bird's-eye perspective, looking up into the camera. Top left pose: a dynamic jumping jack with arms and legs spread. Bottom left pose: a deep side lunge with one hand touching the floor to emphasize flexibility. Top right pose: a boxing stance with fists gathered near the face and the torso turned in a half-profile. Bottom right pose: seated on the floor in a lotus pose or on the knees, stretching both arms upward to show flexibility. Wardrobe: Black sports top and black shorts with white trim, white wristbands, high white knee socks, white sneakers. Framing & Composition: Multi-figure composition of five versions of the same woman. The side figures softly dissolve into the central frame through smoky gradients, creating the effect of one continuous flow of movement. In the lower part, over the central figure, place a large inscription in Russian "БУДЬ В ДВИЖЕНИИ" in a bold futuristic grotesque font, bright white with a soft glow. Lighting: Rim lighting on each figure to separate them from the background. Skin texture with a slight sheen. Visual Style: Commercial fitness photography, sports poster aesthetic. Camera & Optics: Sharp focus on all figures. Details & Texture: Seamless blending, subtle smoky gradients, lightly glossy skin texture. Priority Instructions: Vertical poster layout, 8k resolution, professional retouching, preserve exact facial identity and body likeness throughout all five figures. ar 2:3